I come again with an interesting insight on a film I have seen recently. Today I am going to talk about it. Hope you all will find it to your hearts_ There's a shot a little past the middle of 100 Meters that I can't get rid of. A teenage sprinter has just lost a final in heavy rain, and he stays standing on the track while the downpour thickens, until you can barely tell where he ends and the weather begins. I rewound it the first time, not quite sure what I'd just seen. It isn't my favourite shot, though. My favourite is the very last one, and most of this post is an attempt to explain why. Spoilers ahead. I talk about the whole film here, ending included. The Film, Briefly The director is Kenji Iwaisawa, who made On-Gaku: Our Sound , about delinquent kids who form a band without being able to play anything. This time he's adapting Uoto's first serialised manga (Uoto later wrote Orb: On the Movements of the Earth ). Most of it is rotoscoped, drawn by hand ov...
Critic's Agenda
Critic's Agenda is a blog about my criticism, analysis, descriptions and summary. It is used as a plot to plot reference, study-material, passive-learning, topic-discussion, e.t.c.